Tuesday, February 10, 2026

Business Recorder Column February 10, 2026

Insurgency, terrorism, literature and kites

 

Rashed Rahman

 

The last week or so has been a very ‘busy’ one. On January 31, 2026, an unprecedented coordinated series of attacks in Balochistan rocked the country. Pakistan had barely got over that shock when an anti-Shia sectarian bomb blast in a mosque in Islamabad once again sent the country reeling. While this mayhem was afoot, Pakistan, particularly Lahore, witnessed Literary Festivals, the annual Asma Jahangir Conference and a revived Basant. Balochistan’s troubles are hardly new. The nationalist insurgency has been part of our news cycle since 2002. However, this time the extent and nature of the attacks suggested that the insurgent group Balochistan Liberation Army (BLA) is by now better organised and enjoys enhanced capability. The Islamabad bomb blast was claimed by the Islamic State (IS), in a reminder that while we concentrate our counterterrorism efforts against the Tehreek-e-Taliban Pakistan (TTP), there still exist other fundamentalist terrorist groups like the IS, whose bloody signature was all over the Islamabad bomb blast.

Call it escape or relief, Lahore in particular, but also Karachi, were entertained to another annual feature: Literary Festivals. Timed to coincide with Lahore’s revived Basant, the sum total of all this activity could be taken as relief from our continuing woes. Whether it also enhanced our grasp of what the country faces, and accompanying it the virtual collapse of our intelligentsia, is a matter for deep introspection. Terrorism is the fallout of our decades-old engagement in Afghanistan, with the final result of all these efforts and sacrifices less than satisfactory, to put it mildly.

Balochistan found a questioning audience at the Asma Jahangir Conference, particularly in response to Akhtar Mengal’s hard-hitting speech, in which he castigated the powers that be with failure to engage with the peaceful nationalist camp for a way out of the morass the province seems trapped in. As part of his exposition on the missing persons issue, he referred to the assassination of his brother, Asad Mengal in the 1970s struggle in Balochistan, when Asad and his companion Ahmed Shah Kurd were killed in Karachi, their bodies disappeared, leaving only their blood stained car as a tragic reminder. Akhtar Mengal’s argument was that his family was never contacted regarding Asad Mengal’s disappearance. He said the same playbook of enforced disappearances still sears the soul of his province’s people, arguing for a political solution through negotiations with the peaceful nationalist forces. It remains to be seen however, whether his pleas again fall on deaf ears, particularly since now the state’s narrative describes both the Baloch insurgents and TTP, etc, as India-backed terrorists. With this maximalist description dominant, Akhtar Mengal’s voice promises to once again be lost in a sea of tragic longing, without change.

Pakistan has a penchant for latching on to what seems like a good promotional idea. After Ameena Syed, when she was still heading Oxford University Press in Pakistan, established the Karachi Literary Festival as a go-to annual get together, Literary Festivals have bloomed all over the country like spring flowers. The Lahore Literary Festival was the first to follow, and by now, big cities and little, all seem to savour their own annual literary festivals. While I would be the last one to decry such activity in an otherwise increasingly barren intellectual and cultural milieu that has overtaken us, one may be forgiven for questioning the quality of the fare now available in these literary festivals. The vacuum inside is sought to be filled with contributions from guest participants from abroad, with local talent, struggling as it is, demoted to a secondary status. Are we then truly rid of our colonial hangovers or is this merely wishful thinking?

Lahore’s sorely missed Basant festival returned after an absence of 19 years, rendering the younger generation enthusiastic newcomers to the city’s once famed festival heralding the arrival of spring. Lahoris, and their many keen compatriots from all over the country, gathered to fly kites, play music and enjoy the city’s delicious cuisine, with strict SOPs largely followed that prevented the fatal accidents of yore (largely kite strings cutting motorcyclists’ throats). The Punjab government of Maryam Nawaz deserves our commendation for restoring the Basant spirit to a deprived Lahore. But the revival also makes one wonder whether the original ban made any sense. The critical problem was string being manufactured that was fatal when it met human flesh. If such string could be prevented from being manufactured now, and sparing Lahoris those tragedies of yesteryear, why could this not have been done 19 years ago instead of throwing the baby out with the bathwater by banning the festival entire? One can only call this our penchant for doing things without even a smidgin of thought, and then moaning our loss…till now. May the spirit of Lahore Lahore Ai (Lahore is Lahore) once again march forward with the best the city has to offer to an otherwise troubled realm.

 

 

 

 

 

 

 

 

rashed.rahman1@gmail.com

rashed-rahman.blogspot.com

Monday, February 9, 2026

Filmbar's screening of Michael Haneke's "The Piano Teacher" (2001) at Research and Publication Centre (RPC) on Friday, February 13, 2026 at 5:00 pm

Filmbar's screening of Michael Haneke's "The Piano Teacher" (2001) at Research and Publication Centre (RPC) on Friday, February 13, 2026 at 5:00 pm.
Erika Kohut is a pianist, teaching music. Schubert and Schumann are her forte, but she's not quite at concert level. She's approaching middle age, living with her mother who is more domineering than submissive; Erika is a victim but combative. With her students she is severe. Walter is a self-assured student with some musical talent; he auditions for her class and is forthright in his attraction to her. She responds coldly then demands he let her lead. Next she changes the game with a letter, inviting him into her fantasies.

Address: Research and Publication Centre (RPC), 2nd Floor, 65 Main Boulevard Gulberg, Lahore (next to Standard Chartered Bank, above Indesign showroom). Lift is operational.

The screening will be followed by an informal discussion over tea.

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook)


Tuesday, February 3, 2026

The February 2026 issue of Pakistan Monthly Review (PMR) is out

The February 2026 issue of Pakistan Monthly Review (PMR) is out. Link: pakistanmonthlyreview.com

Contents:

1. Rashed Rahman: Marx and the Asiatic Mode of Production – IV: The impact of Colonialism.
2. Vijay Prashad: How many International Laws can the US break against Venezuela and still get away with it?
3. Mir Mohammad Ali Talpur: Obituary: Mama Qadeer.
4. Jagdeesh Ahuja: Bhutto, Yahya and Tikka Khan: One Civilian, Two Army Men.
5. Ray Nunes: From Marx to Mao – And After – VI: Why a Cultural Revolution?
6. From the PMR Archives: December 2019: Rashed Rahman: Is China still a revolutionary socialist country -I & January 2020 – II.

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook)


Tuesday, January 27, 2026

Filmbar's screening of Park Chan-wook's "No Other Choice" (2025) at Research and Publication Centre (RPC) on Friday, January 30, 2026 at 5:00 pm

Filmbar's screening of Park Chan-wook's No Other Choice (2025) at Research and Publication Centre (RPC) on Friday, January 30, 2026 at 5:00 pm.
It is a dark satirical thriller following Man-su (Lee Byung-hun), a 25-year veteran paper industry worker laid off after an American takeover. Desperate to maintain his family's upper-middle-class lifestyle and support his cello-prodigy daughter, he embarks on a murderous rampage to eliminate top candidates for potential jobs. 
Address: Research and Publication Centre (RPC), 2nd Floor, 65 Main Boulevard Gulberg, Lahore (next to Standard Chartered Bank, above Indesign showroom). Lift is operational. The screening will be followed by an informal discussion over tea.

Rashed Rahman

Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)

Director, Research and Publication Centre (RPC) (on Facebook)

Email: rashed.rahman1@gmail.com

Cells: 0302 8482737 & 0333 4216335

Monday, January 19, 2026

Mujahid Eshai's Talk on "Why Translate?" at Research and Publication Centre (RPC) ) on Thursday, January 22, 2026 at 5:00 pm

Research and Publication Centre (RPC)


CORDIALLY INVITES YOU TO

                                               

                                                                                                      A TALK ON "WHY TRANSLATE? THE ART OF TRANSLATION"  

     

      BY MR. MUJAHID ESHAI, AN AUTHOR OF 21 PUBLISHED TRANSLATIONS.

 

                  MR. ESHAI WILL SHARE HIS THOUGHTS ON THE SUBJECT AND PROBLEMS

 

                  THAT ARISE IN THE COURSE OF TRANSLATING.

 

                              WE LOOK FORWARD TO YOUR PARTICIPATION

VENUE: Research and Publication Centre (RPC), 2nd Floor, 65 Main Boulevard Gulberg, Lahore (next to Standard Chartered Bank, above Indesign Showroom                                                                                                      TIME: 5:00 P.M.

 

                                                                                                                                DATE: JANUARY 22, 2026


Rashed Rahman

Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com

Director, Research and Publication Centre (RPC) (on Facebook)

Email: rashed.rahman1@gmail.com

Cells: 0302 8482737 (WhatsApp) & 0333 4216335

Wednesday, January 14, 2026

Business Recorder Column Wednesday, January 14, 2026

Might is right

 

Rashed Rahman

 

The world owes a vote of thanks to US President Donald Trump. If this sounds surprising given what Trump has been up to of late, bear with me. Not only has Trump abducted Venezuela’s elected President Maduro and his wife, he has threatened Cuba, Colombia, Mexico, Greenland and Iran with US imperialist intervention. The reason he needs to be thanked is that through his actions and daily bullying statements, he has stripped the veil from the smokescreen of ‘democracy’ ‘human rights’, etc., which Washington usually trots out to justify its interventionist adventures. But being Trump, he has not stopped there. He has had the audacity to proclaim that his power is restrained only by “my own morality” and “my mind”. These recent actions and words amount to nothing less than unrestrained bullying.

Trump has even trotted out his version of the Monroe Doctrine, enunciated by US President James Monroe in 1863, to keep former European colonial powers out of the Americas, in what may well be the prelude to a new chapter in the history of this infamous doctrine. The US has intervened in Latin America to bring about regime change and safeguard or promote its interests over 40 times in the last century and a half. Now, having captured Maduro, Trump blatantly declares the US will ‘run’ Venezuela, including extracting oil and keeping the revenues from it in Washington’s ‘safekeeping’. However, despite the fact that Venezuela has the largest oil reserves in the world, the US and other multinational oil companies Trump invited for a meeting in Washington to discuss how this project would be handled expressed their deep reservations regarding the billions of dollars investment required for the task. Trump’s enthusiasm for usurping Venezuelan oil, therefore, may not be as easy as he thinks.

Venezuela and other countries on Trump’s interventionist radar seem to be responding in mild tones, presumably to prevent a military response from Trump’s overblown hegemonic ambitions. If Latin America is troubled by this possibility, Europe is aghast at Trump’s declarations of taking over Greenland without so much as a nod towards its people’s wishes. Denmark has warned any such move would mean the end of NATO. Europe is currently wrestling with the implications of being ‘dumped’ by Trump, whether in the case of Ukraine or dismantling the Western alliance without even a heart’s flutter. Iran’s current difficulties in facing a mass protest movement by its people can of course be traced to US sanctions, which have made the Iranian people’s lives unlivable economically. But there could be a grain of truth in the Iranian regime’s accusation that the US and Israel have a hand in the current agitation (a la the Colour Revolutions post-Soviet collapse). However, Trump’s bluff about military intervention in Iran will surely provoke resistance and blowback from Tehran, as stated by the Iranian regime.

As if all this was not enough, Trump has delineated his ‘philosophy’ in an interview to The New York Times, in which he says international laws, treaties and institutions apply only when he decides they do. Checks on power, considered necessary by modern political thought, are optional as far as Trump is concerned. In other words if international law serves US interests, it applies. If not, it can be ignored, redefined, brushed aside. Rivals, of course, are not allowed to use the same logic. Even the US Congress and internal laws must toe Trump’s line or be overridden. The danger is that the US will, as it always has, act forcefully but will stop explaining why force should have any limitations at all placed upon it. Trump therefore sees himself as King-Emperor of the world and has donned new clothes to prove it. While the world reels from the uncertainty and instability unleashed by Trump, some may wonder whether the Emperor’s new clothes actually exist or not.

Pakistanis should be able quite easily to discern the lessons to be learnt from this Trumpian display of bullying and arrogance, based on their own history. That history shows that when power claims to stand unfettered above the law in the name of stability, security or national interest, used by military and ‘hybrid’ regimes as justifications for their hold on power and policies, the result has been the weakening of institutions, blurred or missing accountability, and questions about legitimate authority. Trump could do worse than look at these lessons and desist from parading his ego on the world stage beyond belief. If not, as the debate in the UN Security Council on the Venezuela situation elaborated through widespread condemnations, the world has swing back to an era of lawlessness. But the US may well have bitten off more than it can chew, whether in the uncertainties surrounding its ‘takeover’ of Venezuela, its repeated threats against other countries, or the long term adverse implications for the US itself.

 

rashed.rahman1@gmail.com

rashed-rahman.blogspot.com

Tuesday, January 13, 2026

Filmbar's screening of Bela Tarr's "The Turin Horse" (2011) at Research and Publication Centre (RPC) on Friday, January 16, 2026 at 5:00 pm

Filmbar's screening of Béla Tarr's The Turin Horse (2011) at Research and Publication Centre (RPC) on Friday, January 16, 2026 at 5:00 pm. 
German philosopher Friedrich Nietzsche witnessed the whipping of a horse while traveling in Turin, Italy. He tossed his arms around the horse's neck to protect it then collapsed to the ground. In less than one month, Nietzsche would be diagnosed with a serious mental illness that would make him bed-ridden and speechless for the next eleven years until his death. But whatever did happen to the horse? This film, which is Tarr's last, follows up this question in a fictionalised story of what occurred. The man who whipped the horse is a rural farmer who makes his living taking on carting jobs into the city with his horse-drawn cart. The horse is old and in very poor health, but does its best to obey its master's commands. The farmer and his daughter must come to the understanding that it will be unable to go on sustaining their livelihoods. The dying of the horse is the foundation of this tragic tale. 

Address: Research and Publication Centre (RPC), 2nd Floor, 65 Main Boulevard Gulberg, Lahore (next to Standard Chartered Bank, above Indesign showroom). Lift is operational. Tea will be served along with an informal discussion after the screening.

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook)
Email: rashed.rahman1@gmail.com
Cells: 0302 8482737 (WhatsApp) & 0333 4216335.

Saturday, January 3, 2026

Filmbar screening of Sergei Eisentein's "Battleship Potemkin" (1925) at Research and Publication Centre (RPC) on Friday, January 9, 2026 at 5:00 pm

Filmbar screening of Sergei Eisenstein's "Battleship Potemkin" (1925) at Research and Publication Centre (RPC) on Friday, January 9, 2026 at 5:00 pm. 
There is a general feeling of revolution amongst the Russian populace against the Imperial rulers. This feeling is slow to reach the crew of the Battleship Potemkin. However, the crew eventually does rebel against their Imperial officers for what they see as the poor conditions aboard, namely the provision of maggot infested rotting meat as their food. This mini-revolution on board leads to a confrontation between the officers and crew. News of the result of this confrontation hits the streets of Odessa as the Potemkin sails into port. The fight on board the Potemkin makes its way to the streets of Odessa as civilians want to show their support for their brothers on board. This situation leads to further actions by the Imperial army, both against the Russian civilians in Odessa as well as against the Potemkin crew.
The screening will be followed by an informal discussion over tea.
Address: Research and Publication Centre (RPC), 2nd Floor, 65 Main Boulevard Gulberg, Lahore (next to Standard Chartered Bank, above Indesign showroom). Lift is operational.

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook)
Email: rashed.rahman1@gmail.com
Cells: 0302 8482737 (operates WhatsApp) & 0333 4216335.


Friday, January 2, 2026

The January 2026 issue of Pakistan Monthly Review (PMR) is out

The January 2026 issue of Pakistan Monthly Review (PMR) is out. Link: pakistanmonthlyreview.com

Contents:

1. Rashed Rahman: Marx and the Asiatic Mode of Production – III: Asiatic Society’s basic features.
2. John J Simon: The Death and Life of Che.
3. Ray Nunes: From Marx to Mao – And After – V: Could the Rightist Coup have been prevented?
4. Helena Sheehan: Exploring the Chinese Revolution Today.

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook) 
Email: rashed.rahman1@gmail.com
Cells: 0302 8482737 & 0333 4216335