Saturday, June 6, 2026

Filmbàr screening of Nuri Bilge Ceylan's "Distant" (2002) at Research and Publication Centre (RPC) on Friday, June 12, 2026 at 5:00 pm

Filmbàr screening of Nuri Bilge Ceylan's Distant (2002) at Research and Publication Centre (RPC) on Friday, June 12, 2026 at 5:00 pm.

Mahmut, a 40 year old independent photographer, is a "village boy made good" at least professionally in the big city - Istanbul in this case. After his wife leaves him, he falls into an existential crisis. Then comes his cousin Yusuf, who left his native village after a local factory closed down, effectively unemploying over half the local men. He looks to Istanbul for salvation: a job on board a ship sailing abroad, at once exciting and crucial to supporting his family in the desperately poor village. The distance between the two men is apparent at once, and becomes increasingly pronounced. Whereas Mahmut is adjusted to big city life and suffers from many of its neuroses, Yusuf is a lonely, eccentric country worker with annoying nervous and hygienic habits, and a sick mother back home he must somehow support. This intimate drama was filmed in the director's apartment in Istanbul, using all his furniture, appliances, rooms, car and so on as the film's props. The actor playing Yusuf is actually the director's real-life cousin, and the actor playing Mahmut is an actual friend, a non-professional actor.

The screening will be followed by a discussion over tea. Lift is operational.

Adress: Research and Publication Centre (RPC), 2nd Floor, 65 Main Boulevard Gulberg, Lahore (next to Standard Chartered Bank, above Indesign showroom).

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook)

Tuesday, June 2, 2026

Business Recorder Column June 2, 2026

Trump’s constant goalpost shifting

 

Rashed Rahman

 

Every day, the news from Washington about the Iran war is wearingly the same. President Donald Trump seems to be in the habit of constantly shifting even agreed goalposts, reiterating with new verbiage demands that have reached closure, and accompanying all this shilly-shallying with threats of further military aggression. That leaves Iran justifiably reluctant to trust Trump’s everyday menu of ‘new’ and old demands, without any end in sight. The underlying reason may not be just Trumpian idiosyncrasies but in fact the failure of the US-Israel combine to achieve any of the declared (or undeclared) objectives of the war, chief amongst these being regime change. Naturally this fills the Iranian people with pride for having held off the mightiest military power in the world (the US) and the most aggressive (Israel) and salvaged its honour and respect in the eyes of the world.

On May 31, 2026, Trump once again proposed more changes to what he called a “largely negotiated” agreement, ostensibly to “toughen” the deal, leading to Iran’s parliamentary speaker and lead negotiator Bagher Ghalibaf responding with a statement that Tehran does not trust Washington and demanding tangible outcomes instead of “words and promises”. Speaking at a virtual session of the Islamic Consultative Assembly, he said: “There is no trust in the enemy’s words and promises. Our only criterion is to achieve tangible results before we fulfil our commitments in return.” He went on to reiterate that Iran will not approve any agreement until it is sure that the decision protected the rights of the Iranian people. CNN reported that the president insisted on “tougher language surrounding Iran’s nuclear commitments (Iran has consistently, for decades, reaffirmed it does not contemplate making nuclear weapons) and its pledge to reopen the Straits of Hormuz” (Iran envisages a temporary toll on shipping through the Straits pending the lifting of the US embargo on its ports and the fulfilment of its demand for war reparations).

While Trump’s buffoonery on Iran continues, Israel appears to have been given a free hand to continue its aggression into, and capture of, southern Lebanese territory as part of its anti-Hezbollah campaign. It bears recalling that Iran has insisted Israel’s aggression in Lebanon must cease as part of any solution of the Iran war. Killings of Palestinians in the West Bank and Gaza and provocations by Israeli settlers at Al-Aqsa all form part of the by now familiar Israeli expansionist habit. Prime Minister Benjamin Netanyahu has given the Israeli military instructions to expand Israel’s control over 60 percent of Gaza to 70 percent. So much for the Gaza ceasefire. Meanwhile Trump’s much trumpeted Board of Peace for Gaza, which was touted as the instrument for turning Gaza into a Mediterranean Rivera, boasts of an empty kitty. Outlandish schemes by Trump, which later wither on the vine, are the hallmark of his crazy presidency.

In the process of the constant roiling by Trump, the world is left reeling at the destabilisation of oil flows and the global economy as a whole. Even the American public is paying for the inflationary effects of Trump’s mad adventure.

Israel’s seizure of a historic castle, Beaufort or Qalaat al-Chakif, in southern Lebanon is a repeat of its aggression against the country in 2000. France now feels a call for an emergency meeting of the United Nations Security Council is called for. Condemnation of Israel's advance and capture of the castle by Arab regimes remains so much hot air without any tangible effect. None of this is likely to stay Israel’s bloody hand. It is disappointing that despite stirrings of protest earlier against Israel’s aggressive expansionism, it all seems to have ended in a whimper.

The world needs a campaign against Israeli expansionism at the expense of the benighted Palestinians and now their Lebanese brothers-in-arms and US aggression against Iran on the lines of the past glorious solidarity campaigns against the Vietnam War and South African apartheid. Or has internationalist solidarity too had its day?

 

rashed.rahman1@gmail.com

rashed-rahman.blogspot.com

Monday, June 1, 2026

The June 2026 issue of Pakistan Monthly Review (PMR) is out

The June 2026 issue of Pakistan Monthly Review (PMR) is out. Link: pakistanmonthlyreview.com

Contents:
1. Ashraf Jehangir Qazi: A War Lost or Won: A New World emerging?
2.Zongyuan Zoe Lin: What the Iran War means for China.
3. Rashed Rahman: The advent of capitalism and its impact on shaping the world.
4. Notes from the Editors (of Monthly Review).
5. Vijay Prashad: Could Capitalism have thrived without Colonialism? – I.
6. Sara Kazmi: The Marxist Punjabi Movement: Language and Literary Radicalism in Pakistan – I.
7. Roshaan Khattak and Thomas Jeffrey Milley: The spiral of violence in Balochistan.
8. Alea F: I was incarcerated for attending Aurat March on International Women’s Day.
9. Cuba: The Bay of Pigs Invasion 65 years later.
10 & 11. Letters to the Editor: (i) Letter fromCuba; (ii) Urdu letter on Left Movement.

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook)

Filmbar screening of François Truffaut's Day for Night (1973) at the Research and Publication Centre (RPC) on Friday, June 5, 2026 at 5:00 pm

Filmbar screening of François Truffaut's Day for Night (1973) at the Research and Publication Centre (RPC) on Friday, June 5, 2026 at 5:00 pm. 
In Nice, the Studios La Victorine is producing the film "Je Vous Presente Pamela" about a French man who marries the English Pamela in England and brings his wife to France to introduce her to his parents. However, his father and Pamela fall in love with each other and she leaves her husband to live with him. The producer Bertrand and the director Ferrand invite British Julie Baker, who had a nervous breakdown and married her Dr. Nelson, for the role of Pamela. During shooting, the cast and crew are lodged in the Hotel Atlantic and Bertrand and Ferrand have to deal with problems with the stars Severine, an aging actress with drinking problems that affect her performance; the immature, spoiled and needy Alphonse, and Julie who is emotionally unstable. But in the end, they succeed in completing the film.

Rashed Rahman
Editor, Pakistan Monthly Review (PMR) (link: pakistanmonthlyreview.com)
Director, Research and Publication Centre (RPC) (on Facebook)